November 25, 2013
You need to get your head around the different parameters of working without sunlight. You can move around within the frame of a fairly long exposure without showing up in the final image.
April 12, 2013
Though there are tight parameters to work within, what I like about architectural photography is that there is still a lot of scope for interpretation.
July 26, 2012
I am always looking for the simplest path to create the strongest image and priority settings make my job easier.
June 22, 2012
In effect, as photographers, we need to be able to consciously scrutinize our surroundings and interpret visual potential that surrounds us.
May 24, 2012
One easy way to consider using a flash in conjunction with ambient light is to consider two separate exposure events happening in the one frame.
May 16, 2012
In a lot of instances the trick is to not over do it. Control of the flash is vital to achieve the various looks you desire.
May 9, 2012
The idea of using flash seems to strike fear into the hearts of inexperienced photographers. In essence it’s a light source made to synchronise with a cameras shutter.
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